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“Pecos Pueblo Rattlesnake”, “Cemetery Soul”, “The Aged Gods”, “Eternity”, and “Saturday Afternoon”

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By John Nizalowski

Pecos Pueblo Rattlesnake

There it lay—

wary, yet quiescent.

People gathered round

to view the splendid reptile.

One tourist in shorts and

a Cape May t-shirt stepped in 

close enough to record a video. 

Evoked a coiled response—

venomous strike in the making.

Thus ending its film debut,

the rattler slid peacefully off

into the junipers between the

thousand-year-old Towa village

and the 18th century Catholic

church built when the Spanish

reconquered the Southwest

after the great Pueblo Revolt.

As I entered the church complex,

a park ranger walked past with

a snake-catching rod and bucket.

“Please forgive us,” I whispered

after descending the ladder into

a kiva’s ancient stucco walls,

“for here we are once again,

ejecting the earth’s spirits.”


Cemetery Soul

(for Ursula)

The fox

slid through 

gravestones,

like a raven’s shadow 

under an old desert sun.

When she 

stopped

we did too,

peered into her 

canine, mocking

eyes that dared us 

to join in the hunt.

When we refused,

standing frozen in

place, she slipped

away, her grey-

streaked disdainful

tail vanishing amidst

rows of funerial yews.

This trickster spirit

gone, until the next

time we crossed 

the feral boundary.


The Aged Gods 

Have you ever noticed 

how a cloudy sky, 

nearly night,

is a deep, 

almost imperceptible blue?

The terrier shakes a stuffed 

toy like it’s a dying rat. The

teapot sings an atonal hymn,

while I sip the golden rye.

How many centuries

has something like 

this been going on?

The terrier drops the toy 

and attacks a spiral in the 

air. Outside, the rainfall 

feeds the muddy Colorado, 

chocolate waters rolling 

down to the Sea of Cortez, 

its waves lapping against 

Mexico’s ancient temples.

The hum of traffic,

the storm’s murmur,

the roll of old bones:

just the universe 

turning on its axis.


Eternity

(for Myla)

The old terrier

paces slowly

from sunlight

into shade, 

where she lies

prone in the

cool space,

panting.

The terrier faces 

the stone Buddha,

half in shadow,

half in the light,

Bees maintain

the vibration:

the frequency

is deep blue.

Is it true – your 

last thought is 

your best thought?

The old terrier is the Buddha.

The Buddha is an old terrier.


Saturday Afternoon

The future, 

more or less,

is the color of the sky.

A striped whipsnake 

demands its space.

We share a place

where men once

tattooed their faces

on the night of the

full equinox moon.

The twin churches

face the rising sun.

The kivas are open

To the eternal stars


John Nizalowski’s most recent books are Chronicles of the Forbidden, a finalist for the
Colorado Book Award, and The Emergence of Frank Waters: A Critical Reader. In addition, his
writings have appeared widely in literary, scholarly, and journalistic publications. Before
retiring, he taught writing and mythology at Colorado Mesa University.

Photo Credit: Kyle Harvey

Categories

Poetry, The River

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